Saturday, September 04, 2010

SARAH'S KEY by Tatiana de Rosnay



This book has a gorgeous cover.

Holocaust stories are always horrifying and heartbreaking, and Sarah’s Key by French author Tatiana De Rosnay is no exception.

Julia Jarmond is an American-born journalist married to a Frenchman, who lives in Paris. She has an eleven-year old daughter. She writes for a magazine geared toward other Americans living in France. The 60th anniversary of the Vel’ d’Hiv’ is coming up soon, and Julia’s assignment is to write about it. The Vel’ d’Hiv’ was the day in July of 1942 when French police rounded up Jewish families at dawn, including more than 4,000 children, and took them to an indoor stadium to be held until they were sent to Auschwitz. They were there for days with no food or water, and no bathrooms. 


Many died.  
They were the lucky ones. This book does not spare us the horrendous events or conditions the Jewish people suffered in the camps…and they were unspeakable nightmares.

Julia’s husband is renovating an apartment that had belonged to his grandparents, more specifically, his grandmere, when the story begins. When the apartment is completed, he and Julia, and their daughter, will move in. It is located on Rue de Saintonge, in the heart of the area where the Vel’d’Hiv’ roundup took place. Soon Julia becomes curious and begins researching who had lived in the apartment during that time.

Sarah Starzynski was ten-years-old on that fateful morning and her little brother was four. She adored him. She doted on him. They played together all the time, and had a secret hiding place. So when the French police came to get them that morning, Sarah locked her little brother in the secret place, promising to come back for him in a few hours. She had no idea what her future held.

This is a powerful story, masterfully told.
It’s swift reading, too. I finished it in a few hours. And then I read the author’s acknowledgments, her interview, the historical perspective, the recommended reading list, the reading group questions, and finally, the back cover again, because I didn’t want it to end. 












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